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Chainsaws, Slackers, and Spy Kids begins in the early 1970s with Tobe Hooper’s horror classic, The Texas Chainsaw Massacre, and it follows the development of the Austin film scene through 2001 with the production and release of Rodriguez’s $100 million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater’s Dazed and Confused and Judge’s Office Space, against the backdrop of Austin’s ever-expanding film community. In Chainsaws, Slackers, and Spy Kids, former film critic Alison Macor weaves together these and many other stories to craft a lively narrative that tells the rollicking history of moviemaking in Austin, Texas.